Archive for category 1D MK1V

AF tracking improvements show results for the 1D Mark 1V

http://www.webwire.com/ViewPressRel.asp?aId=112911

Why would this matter for digital cine you might ask? When you are shooting live and you must get the shot as the action is taking place there is no room for error. If the AF tracking can be improved to the point you get the image you want when you wanted it, this would change the game for the future of cine glass.  When does a live event become part of a movie? Event production only plays into the script as the director might allow in the form of moving stills or a single shot. That burst might last 15 seconds in a two hour film production. Could the AF tracking be used during film production? Ask the DP. If you ask us, we will still be in manual mode by way of the magnify button in live view mode.

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continuous shooting speed

 
 

more about “continuous shooting speed“, posted with vodpod

 

We have had the 1D Mark 1V on our home page since the very first day for a reason. It would seem that the cat is out of the bag, so in this case, why not show the reason by way of video and sound. No way we would do this to any camera but the video does make a visual point.

Any camera body will fade  in value from the 1st day you own it.  Running up the shutter count is the fastest way to reduce it’s value, by the way. We don’t recommend owning DSLR bodies that are expensive.

If however you must own a body, make sure you value the pro aspects of that body far more than you might first understand. Why things like continuous shooting speed should matter are not first know to the beginner or semi pro. The learning curve will teach that over time speed does matter if you want to CATCH the shot. If you are shooting ACTION, then speed is what you need. Why would this matter in video or cine production? The ideal body would be able to produce both in photography & video mode with pro level ability. If the camera body is able to do so, then you have, in effect, two bodies for the price of one. There is real hidden value. One of the many reasons we are buying Canon Lenses. That being said, the cost is still to high for these DSLR camera bodies & we will only be renting pro  camera bodies.

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The Video DSLR to buy is still on the drawing board

Based on tests and info we have seen the Video DSLR to buy is still in the making. This means spending more on FF fast lenses and simply renting the bodies needed to produce the job.  The question then becomes why EOS or FD fast glass when the verdict is still out as to which company will design a DSLR with Video in mind. The short answer is found in the still images and quality found in both the manual FD and the third party savings found in the EOS mount fast glass.

We like metal manual fast glass over anything made in plastic, & yes we like several different mounts other than the FD. If the fast lens will also shoot in AF mode as well as manual so much the better with regard to any potential resale. There are those who have not found manual lenses as yet. That may be many years in the discovery phase as most consumers are still learning the basics.

So why is the ideal Video DSLR still on the drawing board? No one seems to understand how powerful the potential for this market is as yet. They know the DSLR still market. They know the Video cam market & perhaps they like the idea of gaining a third market in the Video DSLR while keeping the other two worlds apart as they mature. They also know the point and shoot market. Until the video pro demands a Video DSLR that is affordable and produces cine quality images with 35mm film like quality nothing changes. That maybe 1 year away, it maybe 4 years away but at some point one of the major companies will see the value in taking the lead.

That leader will have IS in the body which make keep Canon behind as they are still finding profit in their IS glass. That leader will produce a body that understands video is ideally shot with less resolution, not more. Anything else is going to cause more problems than it attempts to correct. This is the reason the ideal Video DSLR is not out now. The consumer knows that more pixels make for a better still image in photography. What they don’t know is anything over 4K in Video is over kill.

It looks like the leader will be Scarlet but there is no telling how much that is going to end up costing before they are done. The lenses have been posted at $1K per lens which is $500 more per lens than should be needed. The other problem with their lenses is they are PL mount with a smaller sensor which will not work on full frame DSLR bodies.

Canon may wake up and grab the market since it has the early lead with the 1D Mark1V however the guess is that will only come about with the 1Ds pro line and you can bet it will cost a pretty penny. Or they may produce a whole new model that is HD Video designed from the start. This is the bet that makes the most sense at this time. If Canon falls they still produce great DLSR bodies that will always need Fast Primes for a fair price. Keep in mind the L Series lenses are not cheap.

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Nocturne – Canon 1D Mark IV – HD

This camera body is a game changer.

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